“Let’s go.” That’s Christopher Herrmann’s (David Eigenberg) mindset when it comes to the call at the center of the Wednesday, October 22, episode of Chicago Fire. After all, it’s his house that’s on fire!

What’s worse: His daughter might be inside. It’s a good thing Herrmann will have his 51 family by his side — especially his best friend

 

 

Mouch (Christian Stolte) — but will he let them help? Will they be able to? Below, David Eigenberg previews his character’s very personal episode.

There’s a fire at Herrmann’s house and he’s worried that his daughter is inside. This is as personal as it gets for him. So, how is he doing? Is there any part of him that’s still thinking like a firefighter when he gets to that scene?

 

 

David Eigenberg: It’s obviously a mix. I think it’s a nice dichotomy of focus that the writers came up with. We have a tendency on the show to show up to an incident, dismount, get the information, stand around, then get charged to do our jobs. And this episode, it’s like, boom,

 

 

the rigs pull up, out, let’s go, mask on, helmet, we’ll go straight at it. And I really, really liked that. And then the cameraman got excited, we switched it up. It’s like a family first type thing.

Oh, yeah. And I like to think of Herrmann as a loose cannon to begin with. And it is a bad fire. There’s good fires and bad fires, and this is a

 

 

bad fire because we are trying to locate a young person. Young persons have a major impact on real firefighters, not that every life isn’t precious, but it amps up the stakes and things go south in the fire. It’s going to get to the point of, is it a controllable or uncontrollable fire and do you back out or can you back out and will you be called to back out and go to a defensive position, which a lot of firefighters don’t want to do, but chiefs have to call it because if you don’t call it the right time, more lives can be lost. And no real firefighter situation wants that to happen.

I think in some ways, Herrmann is so banged up by it. He isolates himself a little bit. I mean, 51 is there and is always there for the family of their firehouse. Herrmann has a different road, a path to choose in the isolation that he kind of puts himself into. He makes it a little bit harder on himself, but I think he is brutalizing himself in a certain regard for this scenario that unfolded. And when things go bad, some people just start to blame outside circumstances and become a victim. And I think Herrmann is the kind of character that says, “F**k, what did I do? Or what didn’t I do?” Some people turn to themselves and beat themselves up, if you want to put it mildly and other people don’t. And that’s kind of what occurs a bit in the episode, which I think is interesting and poignant for a character to do. We don’t need any more victims right now.