The limited scope of one expedition across the American frontier gave 1883 a specific end goal, which makes reaching that final destination

more powerful. Sheridan’s shows often run quite long, with innumerable side plots, but the relatively focused direction of 1883 allows it to

be more consistent; there’s barely any unnecessary scenes, as every moment enhances the characters or story. 1883 also features a dynamic

 

 

ensemble of characters, and does a much better job at representing women than many of Sheridan’s other shows. While there is some humor in seeing Elsa Dutton fall for various young men that she meets during the trip, much to the dismay of her parents, the show

 

 

centers Isabel May’s character as the true protagonist of the series when she embraces becoming a cowgirl and leader. Even if Brennan is who the show begins with, it is Elsa’s narration that brings the story into focus; this is paid off later on through May offering voiceovers for both 1923 and the flagship Yellowstone series.

 

 

1883 showed Sheridan embracing a diversity within the American experience, as he examined the barriers in communication between different groups of immigrants in Brennan’s company, showing what each culture was able to bring to the table. The series is also respectful in its depiction of native culture, and goes out of its way to not paint all tribes as the same. The momentum and scope of 1883 allow it to expand to more than one place, which prevents the pacing from getting dull. While the formation of the Dutton ranch will certainly have relevance to those who have followed the Yellowstone franchise from the beginning, it also boasts a satisfying conclusion for viewers experiencing Sheridan’s shows for the first time. Other Sheridan shows have had a more difficult time sustaining interest over multiple seasons, but 1883 went out on a high note, establishing a precedent of excellence for his other Paramount shows to aim for.